![]() However, his choice to portray Louis with his eyes closed (whereas according to biographers Braille kept his eyes open) distances Louis from the reader somewhat. Kulikov often places Louis in a window, a potent symbol of the windows Braille himself opened for blind people. ![]() The first-person text, sprinkled with French words and phrases, is lively and intimate, abetted by Kulikov’s warm mixed-media illustrations. Bryant’s portrayal captures Louis’s intelligence, determination, and tenacious desire for access to the written word. Blinded in an accident with one of his leatherworker father’s tools when very young, he learned to get around his French village independently went to school and eventually moved to Paris to attend the Royal Institute for Blind Youth (correctly named in the excellent back matter, though not in the main text), where after years of toil he converted a clumsy military code of raised dots into the elegant, user-friendly system still used today. Louis’s story, much embellished here (in an author’s note, Bryant says the book is her attempt to answer the question “What did it FEEL like to be Louis Braille?”), is dramatic and compelling. ![]() ![]() Bryant and Kulikov present the childhood of Louis Braille, from his 1809 birth to his invention, at fifteen, of his ingenious six-cell raised-dot system of reading and writing for the blind. ![]()
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